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INFLUENCES
Reading
Because of his devotion to his art it is probably true to say of
Yeats that from his childhood on he chose to read only those who
moved him to an emotional or poetical response. He sought the response
in his literary and philosophical studies which were extensive -
Theosophy and occult works; Plato and the Neoplantonists; St. Thomas
Aquinas; the Kabbalah; Irish Myths and Legends; Dante, Shakespeare,
Ben Jonson, Donne, Castiglione, Vico, Swift, Berkeley, Burke, Blake,
Shelly, Kant, Nietzche, Ferguson, Mangan, Standish O'Grady.
| John
Butler Yeats, 1839-1922
The poet's father was brought up at
Tullylish in Co. Down, where his father was the "red
headed" Rector. His early days were happy except for
the horrors of a private school in the Isle of Man, where
George Pollexfen was a school fellow. He entered Trinity College
in 1857, reading Classics, and, afterwards, Law. When he married
Susan Pollexfen at Sligo in 1863 the Pollexfens were pleased.
Their hopes were dashed. Having been called to the Bar in
1866, J.B. decided not to practise, but to train to be an
artist in London. He painted many portraits of leaders in
the Irish Literary and Political life. In December 1907 he
went to New York with his daughter Lily, and thereafter refused
to return to Ireland. He died in New York in 1922. |
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Jack
Butler Yeats, 1871-1957
Six years younger than the poet, he also spent his childhood
in Sligo. Sligo, with its ships, fairs, races and circuses
and the variety of men and women associated with them, was
an inspiration for Jack's drawing from 1887 until he started
his career as an art student in London. "In half of the
pictures he paints today I recognise faces that I have met
at Rosses or the Sligo quays', wrote the poet. The wild faces
of horsemen, the quiet dignity of tinkers and wanderers, set
against tumultuous skies which flash and dance with colour,
are transformed in Jack's imagination; and that, after all,
is what W.B. achieved in poetry often having that very subject
matter. |
| Georgie
Hyde Lees, 1892-1968
On the 20th October 1917, three days
after her twenty-fifth birthday, George Hyde Lees married
the fifty-two year old poet, William Butler Yeats. The partnership
of Yeats and George Hyde Lees is one of the most extraordinary
and creative in the literary world. An exploration of the
world of the supernatural was as important to Yeats as his
poetry; indeed the two must be considered together. The most
important partner in this continuing study was his wife. Nothing
that had happened to him before was more dramatically exciting
than the automatic writing of his wife, which he felt put
wisdom within his reach. George Yeats encouraged her husband's
single-minded devotion to poetry and was without doubt his
severest and most helpful critic. |
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Lady
Gregory, 1852-1932
Born Agusta Persse, of the Protestant
landed class, she was introduced to Irish myth and history,
and taught some Gaelic by Mary Sheridan, who was nurse to
her family. At the age of twenty-eight she married Sir William
Gregory, aged sixty-three, who owned Coole Park. Twelve years
later he died, and as a widow she devoted herself to making
Coole a place where writers could gather. In collaboration
with Yeats she wrote Cathleen Ní Houlihan and The Pot
of Broth; her own output included numerous folk tales, that
were taken from the songs and stories of travelling men and
beggars at Coole, or from the cottagers in the Kiltartin district.
She died in May 1932, aged eighty. |
| Maud
Gonne (Madame Gonne McBride), 1866-1953
Yeats was twenty-three when he met
Maud Gonne at the family house in Bedford Park, London. He
had never seen in a living woman so great beauty. Until 1903,
when she married John McBride, Yeats had hoped he would marry
her and repeatedly proposed marriage to her. Her sole purpose
in life was concentrated in the attainment of an Irish nation.
She came from the same Anglo-Irish stock as Constance Gore-Booth,
and she also rejected all that that social group stood for.
No poet has celebrated a woman's beauty to the extent Yeats
did in his lyric verse about Maud Gonne. From his second book
to Last Poems, she became the Rose, Helen of Troy the Ledaean
Body, Cathleen Ní Houlihan, Pallas Athene and Deirdre. |
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George
Russell, 1867-1935
An Ulsterman, a fellow student of Yeats's,
at the Metropolitan School of Art in Dublin in 1884. Later
became a painter, a poet, an active supporter of the Irish
Literary Renaissance; editor from 1910 of The Irish Statesman,
a prolifie essayist, and, an effective and practical civil
servant in the Department of agriculture. He was Yeats's oldest
friend, to whom he dedicated his prose romance, The Secret
Rose in 1897. Mrs Yeats spoke of him as "the nearest
to a saint you or I will ever meet". He died of cancer.
Yeats attended his funeral in Dublin. |
| John
O'Leary, 1830-1907
Born in Co. Tiperary, O'Leary became a medical student at
Trinity College, where he joined the revolutionary Fenian
Brotherhood. In 1863, after a trial, being convicted of treason
and felony he was sentenced to twenty years penal servitude
in England, but was released in 1870 on condition he did not
return to Ireland for fifteen years. On his return after his
exile, he met Yeats and a wonderful friendship grew between
the two. He was President of the Supreme Council of the I.R.B.
until his death, on St. Patrick's Day 1907. |
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Arthur
Symons, 1865-1945
Poet, playwright and critic, he introduced Yeats to the French
Symbolist school. A most important influence on Yeats in the
nineties, helping on Yeats's use of symbolism, already started
in The Wanderings of Oisin. A member of the Rhymers Club;
visited the Aran Islands and Coole Park with Yeats 1896. |

| J.
M. Synge, 1871-1909
Synge, born in Co.
Dublin, was one of Yeats's nearest friends from 1896 until
his early death from cancer in 1909. When they met in Paris
in the 1890's, Yeats advised Synge to leave and go the Aran
Islands. Synge took his advice, so totally altering the direction
of his life. The discovery by Synge of the tough peasantry
and their violent lives was to influence Yeats vitally. The
"Crazy Jane" poems and many of the Last Poems later
indicate this influence of Synge's thought on Yeats's verse.
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